[Cathedral of Viseu, sacristy]

1914-07-14 Stereoscopic slide, gelatin and silver on glass, 4,3 x 10,5 cm PT-AMLSB-JMS-002642 Ink inscriptions on the slide: “Vizeu. Cathedral. Sacristia. S. Pedro de Grão Vasco. 14 Julho 1914. Marçal da Silva [signature]. N.º 785”. [Vizeu. Cathedral. Sacristy. St. Pedro of Grão Vasco. 14 July 1914. Marçal da Silva [signature]. Number 785]. Inscriptions on the record book Photonegativos. Catálogo n.º 2: “N.º 785; Data 14 Julho 1914; Hora 13; Luz Sol; Objectiva Vérascope descent; Diaph. 8; Suporte Agfa Chromo Isorapid; Assumpto Vizeu. Cathedral. Sacristia. S. Pedro, quadro de Grão Vasco.; exp. 3’’; Revelação Watkins Thermo Metol-Quinol”. [Number 785; Date 14 July 1914; Hour 13; Light Sun; Lens Vérascope off-center; Diaphragm 8; Medium Agfa Chromo Isorapid; Subject matter Vizeu. Cathedral. Sacristy. St. Pedro, Grão Vasco’s painting; Exposure 3’’; Development Watkins Thermo Metol-Quinol]. Related documents: stereoscopic negative, gelatin and silver on glass, 4,3 x 10,5 cm and print on direct collodion or gelatin paper, 4,5 x 10,8 cm. The slide was on chassis 27 (position 6), inside the closet of the author’s taxiphote.

Filipe Luz

PhD in Communication Sciences by the New University of Lisbon, Filipe Costa Luz coordinates Videogames Ba and is vice-chair of Communication Design Ba at University Lusófona de Humanidades e Tecnologias. He lectures digital post-production for film, television, games and animation and also does research activities in projects of communication science, Design and arts. His work at Hei-Lab (Digital Human-Environment Interaction Lab) and MovLab (Laboratory of Interactions and Interfaces), where he integrates technologies such as Motion Capture, Animation, VR or Stereoscopic Photography, it’s an example of the cross-media projects that evolve him in academic or professional work for the entertainment, design or communication area.

Esther Jacopin

After Esther Jacopin completed a three-year practice-based doctoral programme to explore stereoscopy’s artistic potential, during which she made two S3D short films, Esther Jacopin resumed her script supervising activities, while continuing to be in academic research.
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