On Saturday (June, 19) S&I Media will host an online auction with a selection of historic stereoscopic views. This will be a special and exclusive event destined to chill out after our talks and where you may find your next favourite item! Please see below what you need to know to participate in this event.
1- If you want to participate in our auction you must
. The registration will be as easy as possible: just send us an email to stereoimmersivemedia@ulusofona.pt, saying: ‘Join (your Name) to the auction!’ After this you will be able to bid and get your favourite images!
2- This auction will include 25 lots with stereoscopic images (check them below on this page). Each image will be auctioned for only
. During that time bids should be posted publicly on the Zoom chat (private messages will not be accepted).
from the starting price. In other words, only multiple values of 5 will be accepted. Our auctioneer will announce each bid so that everyone can follow. The maximum bid will naturally win!
3- After the auction, we will send the winners’ names to the sellers, stating which images were sold and their final prices. We will also give the winners the sellers’ emails so that the best shipment options and payment method can be agreed.
4- Please note that
. Payments must be made within 10 days after the auction. After that period, the winning bidder will lose that lot. We ask all bidders to comply with their bids as these images have been generously put aside for this auction by the sellers for a long time.
We wish you all a nice time!
Lot 1 – George Washingon Wilson (1823-1893), albumen print pasted on card mount, 1860’s.
12€ (shipping from the UK not included)
Lot 2 – William Russell Sedgfield (1823-1893), Easby Abbey, Yorkshire, No 509, albumen print pasted on card mount, circa 1860.
12€ (shipping from the UK not included)
Lot 3 – William Morris Grundy (1806-1859), View in Dovedale, albumen print pasted on card mount, circa 1858.
12€ (shipping from the UK not included)
Lot 4 – Francis Bedford (1816-1894), Guy’s Mil from the riverside, albumen print pasted on card mount, circa 1865.
12€ (shipping from the UK not included)
Lot 5 – William May, Davenport, Albert Bridge, Saltash, albumen print pasted on card mount, 1860’s.
12€ (shipping from the UK not included)
Lot 6 – Francis Bedford (1816-1894), View of the Menai Suspension Bridge, albumen print pasted on card mount, 1860’s.
12€ (shipping from the UK not included)
Lot 7 – Anonymous, View of the Menai Suspension Bridge, albumen print pasted on card mount, 1860’s.
12€ (shipping from the UK not included)
Lot 8 – Francis Bedford (1816-1894), Cheltenham, The High Street, albumen print pasted on card mount,1860’s.
12€ (shipping from the UK not included)
Lot 9 – [Samuel Poulton label] Margate, from end of jetty, albumen print pasted on card mount – 1860’s.
12€ (shipping from the UK not included)
Lot 10 – Margate Jetty, albumen print pasted on card mount, 1860’s.
12€ (shipping from the UK not included)
Lot 11 – William Russell Sedgfield (1826-1902), Ramsgate Harbour, albumen print pasted on card mount, dated 1866.
12€ (shipping from the UK not included)
Lot 12 – Anonymous, Vue du Pont l’Eveque, albumen print pasted on card mount, 1860’s
12€ (shipping from the UK not included)
Lot 13 – William England (1816?-1896), Views in Switzerland, Vue de Geneve et du lac, albumen print pasted on card mount, mid to late 1860’s.
12€ (shipping from the UK not included)
Lot 14 – James Elliott, The London Stereoscopic Company, hand-tinted view from the 1850’s, albumen print pasted on card mount.
12€ (shipping from the UK not included)
Lot 15 – Michael Burr, Studio posed Crinoline Difficulties view from the 1850’s, albumen print pasted on card mount, produced in the UK but retailed in the USA.
12€ (shipping from the UK not included)
Lot 16 – Anonymous, The Sea, A fishing boat entered at Stationer’s Hall, A fine 1850’s view in the manner of Gustav le Gray, albumen print pasted on card mount.
12€ (shipping from the UK not included)
Lot 17 – Anonymous, Cabinet card size, G. J. Smith, Burlington Vermont, Camping Party Shell ??? Point Vt’, albumen print pasted on card mount.
12€ (shipping from the UK not included)
Lot 18 – MM. Mayer Frères and Pierson (1849-1874), [editor Gaudin], Portrait d’après nature de Sa Majesté Napoléon III [Portrait of his Majesty Napoleon the Third], albumen print pasted on card mount, dated 20th of April 1858.
50€ (shipping from France not included)
Lot 19 – James Elliott, Children playing with soap bubble, albumen print pasted on card mount, circa 1870.
50€ (shipping from France not included)
Lot 20 – Félix Chevalier, Indoors boxing match, colorised panoptic albumen print pasted on card mount, circa 1870
50€ (shipping from France not included)
Lot 21 – Adolphe Block (BK), Taken from the collection « Le Théâtre de Nadar » published by B.K. éditeur, Paris. The great Sarah Berhardt held the main role in this drama by Victorien Sardou, colorised panoptic albumen print pasted on card mount.
50€ (shipping from France not included)
Lot 22 – Stereo Daguerreotype published by Negretti and Zambra (active 1850 – c. 1999), circa 1850s. “Sabrina”, a statue by William Calder Marshall R.A (1813 – 1894).
120€ (shipping from the UK not included)
Lot 23 – Gaudin brothers, Set of 3 English Genre Stereoviews showing piano recital, albumen print pasted on card mount c1850s, one with inscription on the back.
15€ (shipping from the UK not included)
Lot 24 – Adolphe Block (BK), Nos mondaines, Cherchant une position, holster of six stereoscopic views, albumen print pasted on card mount, with original box, circa 1890.
60€ (shipping from France not included)
Lot 25 – Jules Marinier, Hennetier sculptor, Actualitès Thèatrales, Barbe Blue, holster of six stereoscopic views, albumen print pasted on card mount, with original box, circa 1880.
60€ (shipping from France not included)
The Carlos Relvas Stereo Raisonné is the comprehensive catalogue of Carlos Relvas’s stereoscopic photography. Carlos Relvas (1838-1894) was the most renowned Portuguese photographer in the 19th century. This catalogue draws on an unprecedented research covering ten public and private collections of stereoscopic photography by Relvas which were, for the first time, digitized, catalogued and cross-referenced with their corresponding negatives. As a digital aggregator of physical collections scattered throughout Portugal and abroad, the Carlos Relvas Stereo Raisonné offers a completely new perspective on the early years of Relvas’s photography and on the contribution of stereoscopy for the launch of his international career.
Designed to offer an intuitive and multileveled research, the Carlos Relvas Stereo Raisonné will take you on a journey to hundreds of ‘image families’ combining both negatives and prints, as well as stereoscopic and single-lens photographs.
Prepare your anaglyph glasses and join the launch next 18 June at the International Conference on Stereo & Immersive Media!
