Stereoscopic 3D Short Film Submission Guidelines
S&I Media’s S3D Short Film Festival will include films that explore and highlight the immersive features of stereoscopic technologies.
Criteria for 3D film submissions:
- Works should not exceed 30 minutes and must feature English subtitles where appropriate.
- They must have been completed after January 1st 2018.
- They must be submitted in both anaglyph and “half side-by-side”.
- Technical specifications:
- MPEG-4 videos, H.264 codec
- Resolution: 1080 HD (1920×1080), 16:9 aspect ratio.
- Frame rate: though 25 fps is preferred, we will accept films at 24, 25 or 30 fps
- Audio: 2-channels stereo audio, encoded in AAC codec at 320 kb/s, 48 kHz
All films should be accompanied by:
- Synopsis (no more than 250 words)
- Biography of the director (no more than 150 words)
Deadline for S3D Short Film submissions: May 2, 2021.
Applications should be submitted via Wetransfer, Filetransfer or FTP to 3dfilm.sim@gmail.com
Notification of acceptance: Early May 2021.
Please note that, as we wish the festival to be accessible to the largest audience possible, films will be screened in both anaglyph and “half side-by-side” formats.
Please provide the master files of your film in both anaglyph and “half side-by-side” format according to web standard:
- MPEG-4, H.264 codec
- Stereo, PCM linear
- English subtitles
Publication
Applicants are invited to submit their papers for publishing to the peer-reviewed and open access International Journal on Stereo & Immersive Media.
Contact
Further inquiries should be sent to stereoimmersivemedia@ulusofona.pt
Call for papers [closed]
The International Conference on Stereo & Immersive Media aims to bring together the research fields of photography, sound and cinema, considering their historical and current relationships with expanded and immersive environments. In 2021, due to the Corona virus pandemic, its 4th edition will adopt an online format and will combine traditional plenary sessions and themed parallel tracks, with a S3D Short Film Festival and a Virtual Art Gallery to showcase the most recent and diverse immersive artworks.
Stereoscopic and immersive technologies have been widening the scopes of photography, sound and cinema since the 19th century. Immersion draws both on state of the art technologies and on old and discontinued media that have once stimulated and expanded our perception. While these technologies (from stereo views to cinema, virtual reality or video gaming) have deeply strengthened the human relationship to virtual worlds, they have also made visual documents more engaging, triggering richer and more inspiring interpretations of reality. Today, some of these technologies are also being used and considered vital to reshape our perception of heritage and to allow new readings and museological experiences of historical collections.
Submission Guidelines
The organizing committee invites scholars, researchers, artists, curators and archivists to submit a proposal for a paper presentation addressing one or more of the following themes:
- 1- Stereoscopic Photography and its Visual Cultures (19th to 21st Century);
- 2- Photography, Cinema and Sound Media Archaeologies;
- 3- Scientific and Social History of Early Immersive Media;
- 4- 3D Cinema, Virtual Reality and Video Gaming;
- 5- Media Arts (Visual/Sound) and Immersion;
- 6- Urban Sound Studies;
- 7- Performance and Visual Media;
- 8- Cultural Heritage and Digital Age;
Invited Speakers
Publication
Applicants are invited to submit their papers for publishing to the peer-reviewed and open acess International Journal on Stereo & Immersive Media.
Contact
Further inquiries should be sent to stereoimmersivemedia@ulusofona.pt
Important Deadlines:
- Deadline for abstracts: March 1, 2021.
- Notification of acceptance by March 8, 2021.
- Early Bird registration deadline: March 19, 2021
- Regular registration deadline: May 9, 2021
- Late registration: Payment after May 9, 2021
