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Journal S&I Media

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2020: Vol.4 — Issue no.1
2019: Vol.3 — Issue no.1

International Journal S&I Media

The International Journal on Stereo & Immersive Media is an open access and peer-reviewed journal that aims to reflect on the emergence of our progressively immersive media culture with a historical, critical and contemporary perspective. This immersive media culture depends both on state of the art technologies and on historical and archaeological media that once sought to expand our sensory experiences.

Accepted Themes

  • Stereoscopic Photography and its Visual Cultures (19th to 21st Century)
  • Photography, Cinema and Sound Media Archaeologies
  • Scientific and Social History of Early Immersive Media
  • 3D Cinema, Virtual Reality and Video Gaming
  • Media Arts (Visual/Sound) and Immersion
  • Urban Sound Studies
  • Performance and Visual Media
  • Cultural Heritage and Digital Age

Submissions deadline

Submissions deadline for next issue: 30 June 2021

Submit an Article

There are no fees payable to submit or publish in this journal.

Periodicity

IJSIM is an annual publication. Whenever the number of articles received by the journal exceeds the size of one issue, a second issue may be published. Similarly, in the years coinciding with the organization of The Internacional Conference on Stereo & Immersive Media, an extra issue can be published. For any queries please contact: email.

Manuscript Guidelines

2020: Vol.4 — Issue no.1
2019: Vol.3 — Issue no.1
2018: Vol.2 — Issue no.1

Once your article is received, it is verified against submission requirements. Your identity and contact details are then removed, and the article is matched to two appropriate reviewers and sent for review.

When reviewer reports are received, you will be notified by email. If your article has been accepted, you will be asked to submit a final copy of your article. If your paper is accepted with revisions, you will be asked to submit a change note with your final submission, explaining how you revised your article in light of the reviewers’s comments.

Manuscript guidelines

These are the recommended guidelines for full paper submissions.

  • Manuscripts must have a minimum length of 2500 words and a maximum length of 6000 words (including title, abstract, figures, tables, footnotes, bilbiography and annexes).
  • Only word or RTF document files are accepted.

Formatting

  • Standard formatting of 12-point font, 1.5-spaced, Times New Roman, 2.54 cm (1.0 inch) margins should be used throughout. Use of italics is preferred to underlining. Notes should be converted to footnotes.
  • Page numbers should be added on the top right corner (header) on every page.

First Page

  • Title: it should be written in Times New Roman 12, italics, bold, upper case, justified. It should not be longer than two lines. Should there be quotes or other expressions that justify it, they should always appear between straight quotation marks.
  • Sub-title (optional): should there be a sub-title, it should be written in Times New Roman 12, italics, bold, upper case, justified. It should not be longer than two lines. Should there be quotes or other expressions that justify it, they should always appear between straight quotation marks.
  • Abstract: under 170 words and under 1000 characters in standard formatting (the abstract must also be inserted in the abstract text field during submission).
  • Keywords: 5-7 keywords in Times New Roman 12, italics, single space, justified.

Page at End of Main Text

Bibliography: References should be formatted according to most current APA style; references should start on a new page, be doubled-spaced and subsequent lines should have hanging indent of 1.25 cm (0.5 inch).
Examples:

Huhtamo, E., & Parikka, J. (2011). Media Archaeology: Approaches, Applications, and Implications. Berkeley, CA & London: University of California Press. 
Siapera, E. (2014). Diasporas and new media: Connections, identities, politics and affect. Crossings: Journal of Migration & Culture, 5(1), 173-178.
Schwartz, V. (1995). Cinematic spectatorship before the apparatus: The public taste for reality in fin-de-siècle Paris. In L. Williams (Ed.), Viewing Positions: Ways of Seeing Film(pp. 87-113). New Brunswick, NJ: Rutgers University Press.

In uncovered aspects the manuscript must be formatted in accordance with the 6th edition of APA (Publication Manual of the American Psychological Association, see http://www.apastyle.org/).

Originality

Questions concerning originality and publishing history must be addressed in “Comments” field.

Attachments

  • Manuscripts may be accompanied by attachment files. In the case of materials produced by others, these are accepted under the condition that all applicable permissions were obtained by the author(s).
  • Attachments should be numbered in order of appearance in the article.
  • Graphics should be in JPEG, GIF, PNG, or TIFF format.
  • Audio excerpts should be in MP3, or WAV format.
  • Video excerpts should be in MPEG, AVI, or WMV format.

Editorial Team

2020: Vol.4 — Issue no.1
2019: Vol.3 — Issue no.1
2018: Vol.2 — Issue no.1

Editor

Editor Manager

Publisher Contact

Editorial Board

  • Denis Pellerin, The London Stereoscopic Company, UK
  • Francisco Javier F. Esteban – University of Salamanca, Spain
  • Kim Timby, École du Louvre, France
  • Larry J. Schaaf, University of Oxford, UK
  • Laura B. Schiavo, The George Washington University, USA
  • Luís Cláudio Ribeiro, Lusofona University, Portugal
  • Nicholas Wade, Dundee University, UK
  • Oliver Grau, Danube University, Austria
  • Rod Bantjes St., Francis Xavier University, Canada
  • Sheenagh Pietrobruno, Saint Paul University, Canada
  • Teresa Mendes Flores, Lusofona University, Portugal
Organization
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