Convent of Capuchos, apothecary’s door

1922-09-07 Stereoscopic negative, gelatin and silver on glass, 4,3 x 10,5 cm PT-AMLSB-JMS-000782 Pencil inscriptions on the negative: “1267. Marçal da Silva [signature]”. Inscriptions on the record book Photonegativos. Catálogo n.º 2: “N.º 1267; Data 7 Set.º 1922; Hora 14 3/4; Luz Sol; Objectiva Vérascope B.te III; Diaph. 8; Suporte Jougla Ortho. A.H.; Assumpto Cintra. Convento dos Capuchos. Porta da Botica; exp. 30’; Revelação Ducancel Pyro Acetona; Observ. Farmer Namias”. [Number 1267; Date 7 September 1922; Hour 14 3/4; Light Sun; Lens Vérascope B.te III; Diaphragm 8; Medium Jougla Ortho. a.H.; Subject matter Cintra. Convent of Capuchos. Apothecary’s door; Exposure 30’; Development Ducancel Pyro Acetone; Notes Farmer-Namias (?)]. Related documents: stereoscopic slide, gelatin and silver on glass, 4,3 x 10,5 cm and print on direct collodion or gelatin paper, 4,5 x 10,8 cm.

Programme

S&I Media Programme is scheduled according to Western European Summer Time (WEST) and to British Summer Time (BST), which is 1 hour ahead of GMT (GMT+1)
To read the abstracts, please click on the title of each talk.
To check the full programme of the S#D Short Film Festivalt, click here.

Day 1

11 June

Day 2

12 June

Day 3

18 June

Day 4

19 June

PS 1.1 – Stereoscopic Photography and its Visual Cultures

Chair: Susana Martins
Stephen McBurney Stereoscopy and the Cinematic Apparatus: The Silver Screen in Edinburgh, circa 1890s [EN] Olivier Perriquet and Eric Kerr Opticity and hapticity in photogrammetry [EN] Tonje Haugland Sørensen The immersive battlefield – aerial photography and the stereoscope in the First and Second World War [EN]

PS 1.2 – Photography, Cinema and Sound Media Archaeologies

Chair: José Gomes Pinto
Helena Gouveia Monteiro Media Archaeology as Film Practice – The Werner Nekes Collection [EN] Yosaku Matsutani Becoming Static: Experiences of Pathé Baby before the Second World War in Japan [EN]

Parallel Session 1.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Phil Lopes
Eduardo Calvet Cine Metro Immersive Experience [EN] Érica Faleiro Rodrigues Edgar Pêra – Experimentação, Vanguardismo e Angústia no 3D Português [PT]

Parallel Session 1.4 – Media Arts and Immersion

Chair: Ana David Mendes
Ruth Barranco Raimundo Karto Gimeno: urban immersive thresholds [EN] Joel Paulo SonikAmbi3D – Interactive and Immersive Sound Performing [EN] Sofia Nunes Musik3DAR – Immersive Musical Orchestra with Augmented Reality [EN]

PS 2.1 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Micaela Fonseca
David Ferragut The Crisis of Reality: Half-Life Alyx and the Perfect Simulation [EN] Marina Oliveto A imersão e os seus graus de liberdade para os usuários de conteúdos imersivos [PT]

PS 2.2 – Performance and Visual Media

Chair: Filipe Figueiredo
Ana Perfeito e Bruno Mendes Silva Os cineastas como performers — desde o cinema mudo de 1890 até ao live cinema atual [PT] João Martinho Moura Embodied Realities in Virtual Performance [EN]

PS 2.4 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin
Bob Tate Degenerate Art Redux Stereoscopy as an aid to art restoration [EN] Brooke Belisle Portrait Mode: Depth Effects from Stereoscopic to Computational Photography [EN] Aida Ferreira Stereoscopies in the CPF (Centro Português de Fotografia) collections [EN]

PS 3.1 – Photography, Cinema and Sound Media Archaeologies

Chair: Paulo Catrica
Zsuzsanna Szegedy-Maszak Tamás Waliczky’s Imaginary Cameras [EN] Isil Karatas Multi-sensorial modes of Analogue Filmmaking [EN] Christian Klant Instantaneous Photography – Freezing motion in the 19th century [EN]

Parallel Session 3.2 – Media Arts and Immersion

Chair: Carolina Martins
Sandra Camacho I Remember your voice in my ear: the iPod as medium in Daniel Blaufuks’s ‘Now Remember’ [EN] Erica Seccombe An Ocular Possession [EN] Hugo Canossa Videomapping – a fifty-year old technology? [EN]

PS 4.1 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto
José Antonio Hernández Latas (invited speaker) El Monasterio de Piedra (Zaragoza) en la fotografía estereoscópica comercial, siglos XIX y XX [ES] Nuno Borges de Araújo A fotografia estereoscópica em Angola no século XIX [PT] Beatriz Sanchez Torija Cecilio Pla, pintor y seguidor de la fotografía estereoscópica [ES]

PS 4.2 – PERPHOTO – Performance and Visual Media

Chair: Filipe Figueiredo
Manuel Vason (invited speaker) Unframing Photography [EN] Arianna Novaga Images in between the action. Some Italian experience of immersive “photographic theater” [EN] Cosimo Chiarelli Performing the photographic archive in contemporary Portuguese stage [EN]

PS 4.3 – Urban Sound Studies

Chair: Luís Cláudio Ribeiro
Rosimária Rocha Quintal dos Sons: Uma experiência a partir de sons do Vale do Jequitinhonha [PT] João Carrilho Immersion, Transparency and Disappearance: a paradoxical aesthetics [EN] Azadeh Nichiani Commutators and urban sonic spaces [EN]

PS 6.1 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores
John Plunkett ‘The World in a Box’: the Global History of the Peepshow [EN] Cèlia Cuenca Córcoles Los cosmoramas de 1830: el aburguesamiento de la cultura visual en España [ES] Sonsoles Hernández-Barbosa From Vue d’Optique to Polyorama Panoptique: Objectifying Images, Embodying Vision [EN]

PS 6.2 – Media Arts and Immersion

Chair: José gomes Pinto
Filippo De Tomasi Notes on camera obscura : three contemporary artistic perspectives [EN] Jordi Pons Busquet and Montse Puigdevall (invited speakers) An overview of the Girona Cinema Museum’s collections and the latest acquisition: the Diaphanorama, a forerunner of 3D [EN] Sara Castelo Branco Da Sinestesia à Cinestesia: as Vídeo-Instalações de Jonathan Saldanha e Alexandre Estrela [PT]

PS 6.3 – Stereoscopic Photography and its Visual Cultures

Chair: Célia Quico
Catherine Carponsin-Martin (invited speaker) A heritage to be preserved and enhanced: the universe of stereoscopic images. Reflections on the Stereopole and the Stereothèque (method and challenges) [FR] Yolanda Fernandez-Barredo and Juan Jose Sanchez Garcia Opera, Opereta y Colecciones Editoriales Estereoscópicas [ES]

PS 8.2 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto
Nuno Prates A Fotografia como Fonte Histórica: Da Casa dos Patudos ao Quotidiano da Família Relvas nos Finais do Século XIX [PT] Angelica Piedrahita Revisando el Archivo Estereoscópico como Dispositivo de Memoria del Caribe [ES]

See the list of all accepted abstracts.

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