Keynote Speakers

Tom Gunning

The University of Chicago

3-D Images: Realistic Illusion or Perceptual Confusion?

Denis Pellerin

The Brian May Archive of Stereoscopy

The "dirty-footed Venuses" and their photographers

Carlos Teixidor

Institute of Cultural Heritage of Spain

The stereoscopic negatives of J. Laurent. Portugal views in the year of 1869.

Elizabeth Edwards

De Montfort University, Leicester

Immersive histories: photography and the absorption of the past

S&I Media Programme is scheduled according to Western European Summer Time (WEST) and to British Summer Time (BST), which is 1 hour ahead of GMT (GMT+1)

To read the abstracts, please click on the title of each talk.

To check the full programme of the S#D Short Film Festivalt, click here.

Day 1

11 June

14:00 GMT+1 Conference Opening
14:15 GMT+1 Keynote Talk Tom Gunning The University of Chicago 3-D Images: Realistic Illusion or Perceptual Confusion?
15:15 Break
15:30 GMT+1 Parallel Sessions (PS) 1
17:00 Break
17:30 GMT+1 Parallel Sessions (PS) 2
19:00 Break
19:15 GMT+1 Stereoscopic 3D Short Film Festival Opening

Day 2

12 June

14:00 GMT+1 Keynote Talk Denis Pellerin The Brian May Archive of Stereoscopy The “dirty-footed Venuses” and their photographers
15:00 Break
15:15 GMT+1 Parallel Sessions (PS) 3
16:45 Break
17:15 GMT+1 Parallel Sessions (PS) 4
18:45 Break
19:00 GMT+1 Virtual Exhibition Opening

Day 3

18 June

14:00 GMT+1 Launch of The Carlos Relvas Stereo Raisonné presented by Geoffrey Batchen
15:00 Break
15:15 GMT+1 Parallel Sessions (PS) 5
16:45 Break
17:15 GMT+1 Parallel Sessions (PS) 6
18:45 Break
19:00 GMT+1
Keynote Talk Carlos Teixidor Institute of Cultural Heritage of Spain Negativos estereoscópicos de Laurent. Vistas de Portugal en 1869 [ES]

Day 4

19 June

14:00 GMT+1Parallel Sessions (PS) 7
15:30 Break
16:00 GMT+1 Parallel Sessions (PS) 8
17:30 Break
17:45 GMT+1 Keynote Talk Elizabeth Edwards De Montfort University, Leicester Immersive histories: photography and the absorption of the past
18:45 Break
19:00 GMT+1 Stereo Views Auction
20:30 GMT+1 Closing Session Stereo – Stravaganza – Virtual Kino-Koncert 2D-3D + Q&A with director Edgar Pêra and curator Érica Faleiro Rodrigues

PS 1.1 – Stereoscopic Photography and its Visual Cultures

Chair: Susana Martins

Stephen McBurney Stereoscopy and the Cinematic Apparatus: The Silver Screen in Edinburgh, circa 1890s [EN] Olivier Perriquet and Eric Kerr Opticity and hapticity in photogrammetry [EN] Tonje Haugland Sørensen The immersive battlefield – aerial photography and the stereoscope in the First and Second World War [EN]

PS 1.2 – Photography, Cinema and Sound Media Archaeologies

Chair: José Gomes Pinto

Helena Gouveia Monteiro Media Archaeology as Film Practice – The Werner Nekes Collection [EN] Yosaku Matsutani Becoming Static: Experiences of Pathé Baby before the Second World War in Japan [EN]

Parallel Session 1.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Phil Lopes

Eduardo Calvet Cine Metro Immersive Experience [EN] Érica Faleiro Rodrigues Edgar Pêra – Experimentação, Vanguardismo e Angústia no 3D Português [PT]

Parallel Session 1.4 – Media Arts and Immersion

Chair: Ana David Mendes

Ruth Barranco Raimundo Karto Gimeno: urban immersive thresholds [EN] Joel Paulo SonikAmbi3D – Interactive and Immersive Sound Performing [EN] Sofia Nunes Musik3DAR – Immersive Musical Orchestra with Augmented Reality [EN]

PS 2.1 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Micaela Fonseca

David Ferragut The Crisis of Reality: Half-Life Alyx and the Perfect Simulation [EN] Marina Oliveto A imersão e os seus graus de liberdade para os usuários de conteúdos imersivos [PT]

PS 2.2 – Performance and Visual Media

Chair: Filipe Figueiredo

Ana Perfeito e Bruno Mendes Silva Os cineastas como performers — desde o cinema mudo de 1890 até ao live cinema atual [PT] João Martinho Moura Embodied Realities in Virtual Performance [EN]

PS 2.3 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

Susan Gamble Gabriel Lippmann (1845-1921) & Frederick Ives (1856-1937): the Physicist versus the American Amateur in the pursuit of 3-Dimensionality [EN] Evguenii Kozlov Enlightenment machines: to the media archeology of agit-trains and steamboats (1918-1922) [EN]

PS 2.4 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

Bob Tate Degenerate Art Redux Stereoscopy as an aid to art restoration [EN] Brooke Belisle Portrait Mode: Depth Effects from Stereoscopic to Computational Photography [EN] Aida Ferreira Stereoscopies in the CPF (Centro Português de Fotografia) collections [EN]

PS 3.1 – Photography, Cinema and Sound Media Archaeologies

Chair: Paulo Catrica

Zsuzsanna Szegedy-Maszak Tamás Waliczky’s Imaginary Cameras [EN] Isil Karatas Multi-sensorial modes of Analogue Filmmaking [EN] Christian Klant Instantaneous Photography – Freezing motion in the 19th century [EN]

Parallel Session 3.2 – Media Arts and Immersion

Chair: Carolina Martins

Sandra Camacho I Remember your voice in my ear: the iPod as medium in Daniel Blaufuks’s ‘Now Remember’ [EN] Erica Seccombe An Ocular Possession [EN] Hugo Canossa Videomapping – a fifty-year old technology? [EN]

PS 3.3 – Stereoscopic Photography and its Visual Cultures

Chair: Teresa M Flores

Rod Bantjes Stereo Realism as Ideology: The Underwood Boxed Set [EN] Kris Belden-Adams Realism, to a Point: The Strategic Staging of Pleasure in Mid-19th-Century French Nude Stereographs [EN] Alona Dubova Space Oddity in Stereographs and Planetaria – Spatial Stellar Constellations and Spheric Immersion into Outer Space [EN]

PS 4.1 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

José Antonio Hernández Latas (invited speaker) El Monasterio de Piedra (Zaragoza) en la fotografía estereoscópica comercial, siglos XIX y XX [ES] Nuno Borges de Araújo A fotografia estereoscópica em Angola no século XIX [PT] Beatriz Sanchez Torija Cecilio Pla, pintor y seguidor de la fotografía estereoscópica [ES]

PS 4.2 – PERPHOTO – Performance and Visual Media

Chair: Filipe Figueiredo

Manuel Vason (invited speaker) Unframing Photography [EN] Arianna Novaga Images in between the action. Some Italian experience of immersive “photographic theater” [EN] Cosimo Chiarelli Performing the photographic archive in contemporary Portuguese stage [EN]

PS 4.3 – Urban Sound Studies

Chair: Luís Cláudio Ribeiro

Rosimária Rocha Quintal dos Sons: Uma experiência a partir de sons do Vale do Jequitinhonha [PT] João Carrilho Immersion, Transparency and Disappearance: a paradoxical aesthetics [EN] Azadeh Nichiani Commutators and urban sonic spaces [EN]

PS 5.1 – Cultural Heritage and Digital Age

Chair: Rogério Taveira

Camila Mangueira Soares e Simone Rocha de Campos Desafios contemporâneos de publicação e representação de arquivos de fotografias estereoscópicas do século XIX e XX [PT] Rute Muchacho Curating new media: challenges and singularities [EN] Rodrigo Peixoto e António Coelho Photographic Documentation of Cultural Heritage: Case Study #1 – Wet Collodion – Carlos Relvas [EN]

PS 5.2 – Stereoscopic Photography and its Visual Cultures

Chair: Filipe Luz

Alexandre Ramires The Stereoscopic Views of Photographia Conimbricense [EN] Catarina Pereira Retouching the third dimension – Aurélio Paz dos Reis’s stereoscopic negatives collection [EN] Célia Quico Seascapes and Immersive Media: representations of Nazaré, Portugal, from early 21st-century 360o videos [EN]

PS 6.1 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

John Plunkett ‘The World in a Box’: the Global History of the Peepshow [EN] Cèlia Cuenca Córcoles Los cosmoramas de 1830: el aburguesamiento de la cultura visual en España [ES] Sonsoles Hernández-Barbosa From Vue d’Optique to Polyorama Panoptique: Objectifying Images, Embodying Vision [EN]

PS 6.2 – Media Arts and Immersion

Chair: José gomes Pinto

Filippo De Tomasi Notes on camera obscura : three contemporary artistic perspectives [EN] Jordi Pons Busquet and Montse Puigdevall (invited speakers) An overview of the Girona Cinema Museum’s collections and the latest acquisition: the Diaphanorama, a forerunner of 3D [EN] Sara Castelo Branco Da Sinestesia à Cinestesia: as Vídeo-Instalações de Jonathan Saldanha e Alexandre Estrela [PT]

PS 6.3 – Stereoscopic Photography and its Visual Cultures

Chair: Célia Quico

Catherine Carponsin-Martin (invited speaker) A heritage to be preserved and enhanced: the universe of stereoscopic images. Reflections on the Stereopole and the Stereothèque (method and challenges) [FR] Yolanda Fernandez-Barredo and Juan Jose Sanchez Garcia Opera, Opereta y Colecciones Editoriales Estereoscópicas [ES]

PS 7.1 – Cultural Heritage and Digital Age

Chair: Margarida Medeiros

Martyn Jolly Creative reenactments of historical immersive experiences [EN] Andreas Reichinger Tactile Photography in Art and Accessibility [EN] Mariana Hartenthal e Cintia Eitelwein Online Resources for Historical Photographic Processes: A Preliminary Discussion of User Experience [EN]

PS 7.2 – Photography, Cinema and Sound Media Archaeologies

Chair: Teresa M. Flores

Paulo Dornford de Sande The study of mountings, housings and preservation of daguerreotype originals: the specificities of stereo daguerreotypes [EN] Joana Sobral History, technology and conservation: a holistic approach on describing photographic equipment [EN] João Pereira de Matos A estética do cravo: da maquinação do sensível à era digital [PT]

PS 7.3 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

Peter Blair Stereoscopy in Scotland [EN] Seth Thompson Cultural Tourism through the Lens of the Stereoscope: Underwood & Underwood’s 1905 Egypt Boxed Stereoview Set Considered [EN] Maria Josep Mulet Gutiérrez and Joan Carles Oliver Torelló Mallorca (Balearic Islands) in visual culture and stereoscopic photography of the 20th century. The psychiatrist and photographer Jaume Escalas Real [EN]

PS 8.1 – Performance and Visual Media

Chair: Cláudia Madeira

Jorge Sá e Ana Tamen Ubiquitous site specific performance- Técnicas imersivas na reprodução dos espaços e da representação cénica através da performance “Conversas com pedras/Talks with stones” [PT] Lauren Carr Sound Synchronized Animation [EN] Taylor Elton Zambomba Authenticity Amidst Commercialization: A Debate around Jerez and Beyond [EN]

PS 8.2 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

Nuno Prates A Fotografia como Fonte Histórica: Da Casa dos Patudos ao Quotidiano da Família Relvas nos Finais do Século XIX [PT] Angelica Piedrahita Revisando el Archivo Estereoscópico como Dispositivo de Memoria del Caribe [ES]

PS 8.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Manuel José Damásio

Ana Victoria Falcon Araujo A comparison of four page formats for virtual reality screenplays [EN] Max Hattler Developing Alternative Aesthetics for Artistic Expression in Experimental Stereoscopic 3D Films [EN] Esther Jacopin Stereoscopy’s impact on the making of special effects and visual effects in films [EN]

PS 8.4 – Stereoscopic Photography and its Visual Cultures

Chair: Victor Flores

Catlin Langford An ‘absolute impression of reality’: Capturing the wonder of the stereo-autochrome [EN] Margaret Hankel A Short History of the View-Master [EN] Ashleigh Black A New Panopticism: How George Washington Wilson Romanticised Scotland’s Cities through Stereoscopic Photography [EN]

See the list of all accepted abstracts.

Join Us on Zoom

Registration

Keynote Speakers

Tom Gunning

Denis Pellerin

Carlos Teixidor

Elizabeth Edwards

S&I Media Programme is scheduled according to Western European Summer Time (WEST) and to British Summer Time (BST), which is 1 hour ahead of GMT (GMT+1)

To read the abstracts, please click on the title of each talk.

To check the full programme of the S#D Short Film Festivalt, click here.

Day 1

11 June

Day 2

12 June

Day 3

18 June

Day 4

19 June

PS 1.1 – Stereoscopic Photography and its Visual Cultures

Chair: Susana Martins

PS 1.2 – Photography, Cinema and Sound Media Archaeologies

Chair: José Gomes Pinto

Parallel Session 1.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Phil Lopes

Parallel Session 1.4 – Media Arts and Immersion

Chair: Ana David Mendes

PS 2.1 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Micaela Fonseca

PS 2.2 – Performance and Visual Media

Chair: Filipe Figueiredo

PS 2.3 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

PS 2.4 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

PS 3.1 – Photography, Cinema and Sound Media Archaeologies

Chair: Paulo Catrica

Parallel Session 3.2 – Media Arts and Immersion

Chair: Carolina Martins

PS 3.3 – Stereoscopic Photography and its Visual Cultures

Chair: Teresa M Flores

PS 4.1 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

PS 4.2 – PERPHOTO – Performance and Visual Media

Chair: Filipe Figueiredo

PS 4.3 – Urban Sound Studies

Chair: Luís Cláudio Ribeiro

PS 5.1 – Cultural Heritage and Digital Age

Chair: Rogério Taveira

PS 5.2 – Stereoscopic Photography and its Visual Cultures

Chair: Filipe Luz

PS 6.1 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

PS 6.2 – Media Arts and Immersion

Chair: José gomes Pinto

PS 6.3 – Stereoscopic Photography and its Visual Cultures

Chair: Célia Quico

PS 7.1 – Cultural Heritage and Digital Age

Chair: Margarida Medeiros

PS 7.2 – Photography, Cinema and Sound Media Archaeologies

Chair: Teresa M. Flores

PS 7.3 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

PS 8.1 – Performance and Visual Media

Chair: Cláudia Madeira

PS 8.2 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

PS 8.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Manuel José Damásio

PS 8.4 – Stereoscopic Photography and its Visual Cultures

Chair: Victor Flores

Join Us on Zoom

Parallel Events

Organization

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