Programme

S&I Media Programme is scheduled according to Western European Summer Time (WEST) and to British Summer Time (BST), which is 1 hour ahead of GMT (GMT+1)

To read the abstracts, please click on the title of each talk.

To check the full programme of the S#D Short Film Festivalt, click here.

Day 1

11 June

14:00 GMT+1 Conference Opening
14:15 GMT+1 Keynote Talk Tom Gunning The University of Chicago 3-D Images: Realistic Illusion or Perceptual Confusion?
15:15 Break
15:30 GMT+1 Parallel Sessions (PS) 1
17:00 Break
17:30 GMT+1 Parallel Sessions (PS) 2
19:00 Break
19:15 GMT+1 Stereoscopic 3D Short Film Festival Opening

Day 2

12 June

14:00 GMT+1 Keynote Talk Denis Pellerin The Brian May Archive of Stereoscopy The “dirty-footed Venuses” and their photographers
15:00 Break
15:15 GMT+1 Parallel Sessions (PS) 3
16:45 Break
17:15 GMT+1 Parallel Sessions (PS) 4
18:45 Break
19:00 GMT+1 Virtual Exhibition Opening

Day 3

18 June

14:00 GMT+1 Launch of The Carlos Relvas Stereo Raisonné presented by Geoffrey Batchen
15:00 Break
15:15 GMT+1 Parallel Sessions (PS) 5
16:45 Break
17:15 GMT+1 Parallel Sessions (PS) 6
18:45 Break
19:00 GMT+1
Keynote Talk Carlos Teixidor Institute of Cultural Heritage of Spain Negativos estereoscópicos de Laurent. Vistas de Portugal en 1869 [ES]

Day 4

19 June

14:00 GMT+1Parallel Sessions (PS) 7
15:30 Break
16:00 GMT+1 Parallel Sessions (PS) 8
17:30 Break
17:45 GMT+1 Keynote Talk Elizabeth Edwards De Montfort University, Leicester Immersive histories: photography and the absorption of the past
18:45 Break
19:00 GMT+1 Stereo Views Auction
20:30 GMT+1 Closing Session Stereo – Stravaganza – Virtual Kino-Koncert 2D-3D + Q&A with director Edgar Pêra and curator Érica Faleiro Rodrigues

PS 1.1 – Stereoscopic Photography and its Visual Cultures

Chair: Susana Martins

Stephen McBurney Stereoscopy and the Cinematic Apparatus: The Silver Screen in Edinburgh, circa 1890s [EN] Olivier Perriquet and Eric Kerr Opticity and hapticity in photogrammetry [EN] Tonje Haugland Sørensen The immersive battlefield – aerial photography and the stereoscope in the First and Second World War [EN]

PS 1.2 – Photography, Cinema and Sound Media Archaeologies

Chair: José Gomes Pinto

Helena Gouveia Monteiro Media Archaeology as Film Practice – The Werner Nekes Collection [EN] Yosaku Matsutani Becoming Static: Experiences of Pathé Baby before the Second World War in Japan [EN]

Parallel Session 1.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Phil Lopes

Eduardo Calvet Cine Metro Immersive Experience [EN] Érica Faleiro Rodrigues Edgar Pêra – Experimentação, Vanguardismo e Angústia no 3D Português [PT]

Parallel Session 1.4 – Media Arts and Immersion

Chair: Ana David Mendes

Ruth Barranco Raimundo Karto Gimeno: urban immersive thresholds [EN] Joel Paulo SonikAmbi3D – Interactive and Immersive Sound Performing [EN] Sofia Nunes Musik3DAR – Immersive Musical Orchestra with Augmented Reality [EN]

PS 2.1 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Micaela Fonseca

David Ferragut The Crisis of Reality: Half-Life Alyx and the Perfect Simulation [EN] Marina Oliveto A imersão e os seus graus de liberdade para os usuários de conteúdos imersivos [PT]

PS 2.2 – Performance and Visual Media

Chair: Filipe Figueiredo

Ana Perfeito e Bruno Mendes Silva Os cineastas como performers — desde o cinema mudo de 1890 até ao live cinema atual [PT] João Martinho Moura Embodied Realities in Virtual Performance [EN]

PS 2.3 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

Susan Gamble Gabriel Lippmann (1845-1921) & Frederick Ives (1856-1937): the Physicist versus the American Amateur in the pursuit of 3-Dimensionality [EN] Evguenii Kozlov Enlightenment machines: to the media archeology of agit-trains and steamboats (1918-1922) [EN]

PS 2.4 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

Bob Tate Degenerate Art Redux Stereoscopy as an aid to art restoration [EN] Brooke Belisle Portrait Mode: Depth Effects from Stereoscopic to Computational Photography [EN] Aida Ferreira Stereoscopies in the CPF (Centro Português de Fotografia) collections [EN]

PS 3.1 – Photography, Cinema and Sound Media Archaeologies

Chair: Paulo Catrica

Zsuzsanna Szegedy-Maszak Tamás Waliczky’s Imaginary Cameras [EN] Isil Karatas Multi-sensorial modes of Analogue Filmmaking [EN] Christian Klant Instantaneous Photography – Freezing motion in the 19th century [EN]

Parallel Session 3.2 – Media Arts and Immersion

Chair: Carolina Martins

Sandra Camacho I Remember your voice in my ear: the iPod as medium in Daniel Blaufuks’s ‘Now Remember’ [EN] Erica Seccombe An Ocular Possession [EN] Hugo Canossa Videomapping – a fifty-year old technology? [EN]

PS 3.3 – Stereoscopic Photography and its Visual Cultures

Chair: Teresa M Flores

Rod Bantjes Stereo Realism as Ideology: The Underwood Boxed Set [EN] Kris Belden-Adams Realism, to a Point: The Strategic Staging of Pleasure in Mid-19th-Century French Nude Stereographs [EN] Alona Dubova Space Oddity in Stereographs and Planetaria – Spatial Stellar Constellations and Spheric Immersion into Outer Space [EN]

PS 4.1 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

José Antonio Hernández Latas (invited speaker) El Monasterio de Piedra (Zaragoza) en la fotografía estereoscópica comercial, siglos XIX y XX [ES] Nuno Borges de Araújo A fotografia estereoscópica em Angola no século XIX [PT] Beatriz Sanchez Torija Cecilio Pla, pintor y seguidor de la fotografía estereoscópica [ES]

PS 4.2 – PERPHOTO – Performance and Visual Media

Chair: Filipe Figueiredo

Manuel Vason (invited speaker) Unframing Photography [EN] Arianna Novaga Images in between the action. Some Italian experience of immersive “photographic theater” [EN] Cosimo Chiarelli Performing the photographic archive in contemporary Portuguese stage [EN]

PS 4.3 – Urban Sound Studies

Chair: Luís Cláudio Ribeiro

Rosimária Rocha Quintal dos Sons: Uma experiência a partir de sons do Vale do Jequitinhonha [PT] João Carrilho Immersion, Transparency and Disappearance: a paradoxical aesthetics [EN] Azadeh Nichiani Commutators and urban sonic spaces [EN]

PS 5.1 – Cultural Heritage and Digital Age

Chair: Rogério Taveira

Camila Mangueira Soares e Simone Rocha de Campos Desafios contemporâneos de publicação e representação de arquivos de fotografias estereoscópicas do século XIX e XX [PT] Rute Muchacho Curating new media: challenges and singularities [EN] Rodrigo Peixoto e António Coelho Photographic Documentation of Cultural Heritage: Case Study #1 – Wet Collodion – Carlos Relvas [EN]

PS 5.2 – Stereoscopic Photography and its Visual Cultures

Chair: Filipe Luz

Alexandre Ramires The Stereoscopic Views of Photographia Conimbricense [EN] Catarina Pereira Retouching the third dimension – Aurélio Paz dos Reis’s stereoscopic negatives collection [EN] Célia Quico Seascapes and Immersive Media: representations of Nazaré, Portugal, from early 21st-century 360o videos [EN]

PS 6.1 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

John Plunkett ‘The World in a Box’: the Global History of the Peepshow [EN] Cèlia Cuenca Córcoles Los cosmoramas de 1830: el aburguesamiento de la cultura visual en España [ES] Sonsoles Hernández-Barbosa From Vue d’Optique to Polyorama Panoptique: Objectifying Images, Embodying Vision [EN]

PS 6.2 – Media Arts and Immersion

Chair: José gomes Pinto

Filippo De Tomasi Notes on camera obscura : three contemporary artistic perspectives [EN] Jordi Pons Busquet and Montse Puigdevall (invited speakers) An overview of the Girona Cinema Museum’s collections and the latest acquisition: the Diaphanorama, a forerunner of 3D [EN] Sara Castelo Branco Da Sinestesia à Cinestesia: as Vídeo-Instalações de Jonathan Saldanha e Alexandre Estrela [PT]

PS 6.3 – Stereoscopic Photography and its Visual Cultures

Chair: Célia Quico

Catherine Carponsin-Martin (invited speaker) A heritage to be preserved and enhanced: the universe of stereoscopic images. Reflections on the Stereopole and the Stereothèque (method and challenges) [FR] Yolanda Fernandez-Barredo and Juan Jose Sanchez Garcia Opera, Opereta y Colecciones Editoriales Estereoscópicas [ES]

PS 7.1 – Cultural Heritage and Digital Age

Chair: Margarida Medeiros

Martyn Jolly Creative reenactments of historical immersive experiences [EN] Andreas Reichinger Tactile Photography in Art and Accessibility [EN] Mariana Hartenthal e Cintia Eitelwein Online Resources for Historical Photographic Processes: A Preliminary Discussion of User Experience [EN]

PS 7.2 – Photography, Cinema and Sound Media Archaeologies

Chair: Teresa M. Flores

Paulo Dornford de Sande The study of mountings, housings and preservation of daguerreotype originals: the specificities of stereo daguerreotypes [EN] Joana Sobral History, technology and conservation: a holistic approach on describing photographic equipment [EN] João Pereira de Matos A estética do cravo: da maquinação do sensível à era digital [PT]

PS 7.3 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

Peter Blair Stereoscopy in Scotland [EN] Seth Thompson Cultural Tourism through the Lens of the Stereoscope: Underwood & Underwood’s 1905 Egypt Boxed Stereoview Set Considered [EN] Maria Josep Mulet Gutiérrez and Joan Carles Oliver Torelló Mallorca (Balearic Islands) in visual culture and stereoscopic photography of the 20th century. The psychiatrist and photographer Jaume Escalas Real [EN]

PS 8.1 – Performance and Visual Media

Chair: Cláudia Madeira

Jorge Sá e Ana Tamen Ubiquitous site specific performance- Técnicas imersivas na reprodução dos espaços e da representação cénica através da performance “Conversas com pedras/Talks with stones” [PT] Lauren Carr Sound Synchronized Animation [EN] Taylor Elton Zambomba Authenticity Amidst Commercialization: A Debate around Jerez and Beyond [EN]

PS 8.2 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

Nuno Prates A Fotografia como Fonte Histórica: Da Casa dos Patudos ao Quotidiano da Família Relvas nos Finais do Século XIX [PT] Angelica Piedrahita Revisando el Archivo Estereoscópico como Dispositivo de Memoria del Caribe [ES]

PS 8.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Manuel José Damásio

Ana Victoria Falcon Araujo A comparison of four page formats for virtual reality screenplays [EN] Max Hattler Developing Alternative Aesthetics for Artistic Expression in Experimental Stereoscopic 3D Films [EN] Esther Jacopin Stereoscopy’s impact on the making of special effects and visual effects in films [EN]

PS 8.4 – Stereoscopic Photography and its Visual Cultures

Chair: Victor Flores

Catlin Langford An ‘absolute impression of reality’: Capturing the wonder of the stereo-autochrome [EN] Margaret Hankel A Short History of the View-Master [EN] Ashleigh Black A New Panopticism: How George Washington Wilson Romanticised Scotland’s Cities through Stereoscopic Photography [EN]

See the list of all accepted abstracts.

Join Us on Zoom

Registration

Programme

S&I Media Programme is scheduled according to Western European Summer Time (WEST) and to British Summer Time (BST), which is 1 hour ahead of GMT (GMT+1)

To read the abstracts, please click on the title of each talk.

To check the full programme of the S#D Short Film Festivalt, click here.

Day 1

11 June

Day 2

12 June

Day 3

18 June

Day 4

19 June

PS 1.1 – Stereoscopic Photography and its Visual Cultures

Chair: Susana Martins

PS 1.2 – Photography, Cinema and Sound Media Archaeologies

Chair: José Gomes Pinto

Parallel Session 1.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Phil Lopes

Parallel Session 1.4 – Media Arts and Immersion

Chair: Ana David Mendes

PS 2.1 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Micaela Fonseca

PS 2.2 – Performance and Visual Media

Chair: Filipe Figueiredo

PS 2.3 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

PS 2.4 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

PS 3.1 – Photography, Cinema and Sound Media Archaeologies

Chair: Paulo Catrica

Parallel Session 3.2 – Media Arts and Immersion

Chair: Carolina Martins

PS 3.3 – Stereoscopic Photography and its Visual Cultures

Chair: Teresa M Flores

PS 4.1 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

PS 4.2 – PERPHOTO – Performance and Visual Media

Chair: Filipe Figueiredo

PS 4.3 – Urban Sound Studies

Chair: Luís Cláudio Ribeiro

PS 5.1 – Cultural Heritage and Digital Age

Chair: Rogério Taveira

PS 5.2 – Stereoscopic Photography and its Visual Cultures

Chair: Filipe Luz

PS 6.1 – Scientific and Social History of Early Immersive Media

Chair: Teresa M. Flores

PS 6.2 – Media Arts and Immersion

Chair: José gomes Pinto

PS 6.3 – Stereoscopic Photography and its Visual Cultures

Chair: Célia Quico

PS 7.1 – Cultural Heritage and Digital Age

Chair: Margarida Medeiros

PS 7.2 – Photography, Cinema and Sound Media Archaeologies

Chair: Teresa M. Flores

PS 7.3 – Stereoscopic Photography and its Visual Cultures

Chair: Denis Pellerin

PS 8.1 – Performance and Visual Media

Chair: Cláudia Madeira

PS 8.2 – Stereoscopic Photography and its Visual Cultures

Chair: Rodrigo Peixoto

PS 8.3 – 3D Cinema, Virtual Reality and Video Gaming

Chair: Manuel José Damásio

PS 8.4 – Stereoscopic Photography and its Visual Cultures

Chair: Victor Flores

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